| At first sight this photographic collection of Immagine Latente can carry to a simply chronostatics reading of the event - R. Barthes could define it as the motionless essence. Lazy eyes could see it just like a resumed, captured, tailored water jet showing photographic abilities and/or lenses virtuosities, aperture and shutter works. If instead we look with more attention, we are swept up by an emotional vortex that Vincenzo Caroleo and Rosanna Papaianni give to these releases. In other there is a incubation and mouvement water work that suggests an authentic lysergic loop. Waves, like existential pure energy, break into glass wall until their stop. Artists don't want to provoke a polemic re-sentiment, they don't assume out-sider positions, they don't want to create cultural project dynamics. Vortex, in a obsessive loop, in a scenic sampling of water are waiting in vain for an explosion, however, they want to break white chromatic balance, they want to create a short an intense visual noise, as a post-rock concert. Pino Pascali in 32 mq di mare circa (1967) used small basins with coloured water to provoke an illusion as being to the sea, ready to plunge in sea and relax.
In other words this artistic work was linked to a dramatic dimension, in order to prevail a ludic dimension. Caroleo and Papaianni instead don't aim ready-made, they use photographic language in order to visually tell sound-waves, minds waves that appear and incline to caustic colours of water: floating, plunging or surfing. |
